Painting by Lory Williams Winford


Aleksey Artemyev is a consummate soloist, collaborator and pedagogue, hailed for his passionate performances and fresh interpretations. His artistic credo is to reach out to the widest range of listeners and advocate the importance of classical music in our modern world.


As the prize winner of numerous piano competitions and recipient of several awards for outstanding achievements in music and piano, Artemyev has performed as a soloist and chamber musician throughout his native Uzbekistan and the United States. His orchestral debut includes Tchaikovsky’s 1st Piano Concerto with the San Francisco Conservatory Symphony Orchestra. He has performed numerous solo recitals at the California Rotary Club, Pacific Union Presents Music Club, and the San Jose Music Club. As a member of the Interlochen Ensemble, Artemyev performed nationwide as part of the Interlochen Center for the Arts engagement campaign.


Born and raised in Tashkent, Uzbekistan, Aleksey Artemyev continued his piano studies at the prestigious Interlochen Arts Academy, Interlochen, MI. Upon graduating with honors, he received a full scholarship to enter the San Francisco Conservatory of Music. Aleksey Artemyev completed his Doctor of Music in piano performance at the Jacobs School of Music, Indiana University, Bloomington, under the tutelage of the renowned pianist, André Watts. Dr. Artemyev held the position of the Director of Piano Studies at Franklin College, Franklin IN, and taught at the Jacobs School of Music, Indiana University, Bloomington as an Associate Instructor of Piano.

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This remarkable quartet – hailed as "a triumph of ensemble playing" by The New York Times – is a multi-faceted ensemble taking chamber music in new directions.

Touring music of the masters as well as exciting original works from visionary composers of our time, the Fry Street Quartet has perfected a "blend of technical precision and scorching spontaneity" (The Strad). Since securing the Grand Prize at the Fischoff National Chamber Music Competition, the quartet has reached audiences from Carnegie Hall to London, and Sarajevo to Jerusalem, exploring the medium of the string quartet and its life-affirming potential with "profound understanding...depth of expression, and stunning technical astuteness" (Deseret Morning News).

With a discography that includes a wide range of works from Haydn and Beethoven to Stravinsky, Janacek and Rorem, the quartet is known for being "equally at home in the classic repertoire of Mozart and Beethoven or contemporary music." (Palm Beach Daily News).  Navona records recently released The Crossroads Project, which features commissioned works by Laura Kaminsky and Libby Larsen, and up next is a recording of Kaminsky’s lauded new chamber opera As One, which will be released on Albany Records.

The FSQ's tour repertoire reaches many corners of the musical spectrum, including works of Britten, Schubert, Beethoven and Bartok, as well as programs of American women composers Laura Kaminsky, Amy Beach, Joan Tower and Libby Larsen. Recently, the Salt Lake City-based 

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Photo by Andrew McAllister

NOVA series presented the FSQ’s cycle of the six quartets of Bela Bartok paired with Haydn’s String Quartets Op. 76, highlighting a juxtaposition of masterpieces by two great innovators for the string quartet. In November 2018, the FSQ will proudly present a complete Bartok Cycle in the Russell Wanlass Performance Hall at Utah State University, featuring eminent Bartok scholar Peter Laki.  

The FSQ premiered Laura Kaminsky's chamber opera As One with soprano Sasha Cooke and baritone Kelly Markgraff at the Brooklyn Academy of Music, and has gone on to perform the work with Hawaii Opera Theater, Lyric Opera Kansas City, and Chautauqua Opera.

In addition to collaborations with acclaimed instrumentalists (including Joseph Kalichstein, Wu Han, Paul Katz, Donald Weilerstein, Misha Dichter, Andres Cardenes and Roger Tapping, among others), the Fry Street Quartet has commissioned and toured new works by a wide range of composers. Pandemonium by Brazilian composer Clarice Assad received its Fry Street premiere with the San Jose Chamber Orchestra; Michael Ellison's Fiddlin' was co-commissioned by the Arizona Friends of Chamber Music Series and the Salt Lake City based NOVA series; and both Laura Kaminsky's Rising Tide and Libby Larsen’s Emergence were commissioned especially for the quartet's global sustainability initiative, The Crossroads Project.

After more than 30 performances in three different countries, The Crossroads Project: Rising Tide continues to resonate with audiences. This fresh approach to communicating society’s sustainability challenges draws upon all the senses with a unique blend of science and art, and has been featured on NPR's joe’s big idea (aired during All Things Considered), as well as in publications by Yale Climate Connections, Reuters, and the New York Times.

The quartet's significant touring history includes performances at major venues, festivals, and for distinguished series such as Carnegie Hall and the Schneider Series at the New School in New York, the Jewel Box series in Chicago, Chamber Music Columbus, the Kravis Center in West Palm Beach, the DiBartolo Performing Arts Center at Notre Dame, the Theosophical Society in London, and the Mozart Gemeinde in Klagenfurt, Austria. The quartet also enjoys a continuing residency with the Salt Lake City-based NOVA series. Projects have included the Schoenberg Chamber Symphony under the direction of Utah Symphony Music Director Thierry Fischer, the Utah premieres of string quartets by Michael Ellison and Andrew Norman, and frequent collaborations with members of the Utah Symphony.

The Fry Street Quartet is pleased to hold the Dan C. and Manon Caine Russell Endowed String Quartet Residency at the Caine College of the Arts at Utah State University.


British-Cypriot pianist Andreas Ioannides enjoys a diverse and exciting career rooted in his love of performing and teaching. He has given recitals throughout Europe, Asia, North and South America, appearing in venues such as Boston Symphony Hall, the Kennedy Center in Washington, D.C., the Hamburg Konzerthaus, the Seoul Arts Center, the Temppeliaukio Kirkko in Helsinki and the Municipal Theater of Rio de Janeiro. He has received enthusiastic reviews by the Boston Globe, and his performances have been broadcast on television and radio across three continents.


Andreas has made concerto appearances under maestros Neil Varon, David Effron, Paul Nadler and Roberto Tibiriçá. His chamber collaborations include such artists as Joseph Swensen, Atar Arad, Peter Stumpf and composer PQ Phan. A prize winner in the BNDES International Piano Competition in Rio de Janeiro and the Hastings International Piano Competition in the UK, he recently turned his attention to recording projects, including a 2-disc album released by Naxos in 2020 in honor of the 250th anniversary of Beethoven’s birth. 


Andreas has served as Lecturer of Piano at Indiana State University and is currently Assistant Lecturer of Piano at the Cork School of Music at Munster Technological University in Cork, Ireland. He is also Artistic Director of RiverSong Music Inc., a non-profit organization that promotes community education and enrichment through classical music . He holds a Doctor of Music degree from Indiana University, mentored by pianist Menahem Pressler. 

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Photo by Gregory Wang


Cellist Gabriel Martins (b. 1998) is the winner of the 2020 Sphinx Competition and the 2020 Concert Artists Guild / Young Classical Artists Trust Grand Prize. Additionally, he has won major prizes in the 2013 David Popper International Cello Competition, 2014 International Tchaikovsky Competition for Young Musicians, 2018 Orford Music Award, 2018 Prague Spring International Music Competition, and 2020 Schadt String Competition. He has performed as a soloist and chamber musician in venues such as Carnegie Zankel Hall, the Great Hall of the Moscow Conservatory, Maison Symphonique in Montréal, Teatro Gran Rex in Buenos Aires, and Walt Disney Concert Hall in Los Angeles. According to esteemed cellist Ralph Kirshbaum, he has "revealed heart, passion, intellect, and a finely-nuanced palette of colors in a compelling manner worthy of a seasoned artist."

Martins has appeared in concerto performances with the Aspen Conducting Academy Orchestra, Fukuda Ensemble (São Paulo), Indianapolis Symphony Orchestra, Modesto Symphony Orchestra, New Russia State Symphony Orchestra, Sphinx Symphony Orchestra, USC Thornton Symphony, and has given solo recitals on the Dame Myra Hess Memorial Concerts and IU Summer Music series. His upcoming debuts include the Allentown, Arkansas, Elgin, and Memphis Symphony Orchestras, as well as Merkin Hall in New York, and Wigmore Hall in London. His performances have aired on National Public Radio's From the Top, New York's WQXR, and Chicago's WFMT. 

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Photo by Geneva Lewis

Born of American and Brazilian heritage, Martins grew up in Bloomington, Indiana. He began playing the cello when he was five, studying with Susan Moses at the Indiana University String Academy. He later served as a teaching assistant at the Academy's summer program. He has attended the Orford Music Academy, Piatigorsky International Cello Festival, Ravinia Steans Music Institute, Yellow Barn Music Festival, Four Seasons Festival Winter Workshop, and Aspen Music Festival and School, where he won the Low Strings Concerto Competition. He went on to pursue his undergraduate studies as a Presidential Scholar at the USC Thornton School of Music (Class of 2019) with Ralph Kirshbaum. In his freshman year at USC, he won the school's concerto competition as well as its Bach competition. Presently, he is a graduate student with Laurence Lesser at the New England Conservatory of Music. Since 2020, Martins plays on a composite Francesco Ruggieri cello made in Cremona, c. 1690 and a François Nicolas Voirin bow made in Paris, c. 1880. 


Known for her verve and sensitivity, Japanese pianist Futaba Niekawa pushes the boundaries of her artistry as a soloist and collaborative pianist across genres and disciplines. She has performed throughout the United States, Canada, England, Spain, Taiwan, and Japan and to date has released five recordings (PARMA Recordings, Petrichor Records) and her live performances have been recorded for radio broadcast. 


In demand as a collaborative pianist, Niekawa has performed with Atar Arad, James Campbell, Charles Castleman, Gabriele Ragghianti, and the members of the Metropolitan Opera Orchestra, and the Chicago Symphony Orchestra among others. She has been engaged as a collaborative pianist at the Banff Centre, New England Conservatory, Meadowmount School of Music, and the IU Summer String Academy. Praised as “a beautifully balanced duo” by Gramophone Magazine, Niekawa’s long-term duo partnership with violinist Kerry DuWors, duo526, has led to numerous performances, recordings, and artist residencies at the Banff Centre and Avaloch Farm Music Institute. Niekawa’s passion for multi-disciplinary collaboration and performing music of her generation have developed into artistic partnerships with composers, dancers, poets, and visual artists. In her leisure-time she plays free-improvisation.


Niekawa is currently a Lecturer in Music (Chamber and Collaborative Music) at Indiana University’s Jacobs School of Music. She earned her Doctorate of Musical Arts degree from the Eastman School of Music. Her dedication to pedagogy, mentoring, and performance practice is shown through workshops at duo526’s annual Sonata Seminar, and invitations as a guest teacher at universities across North America. 

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Photo by Colin Corneau


Recognized for its virtuosity, exuberant performance style, and often-daring repertory choices, over the past twenty-six years the Pacifica Quartet has achieved international recognition as one of the finest chamber ensembles performing today. Named the quartet-in-residence at Indiana University’s Jacobs School of Music in March 2012, the Pacifica was previously the quartet-in-residence at the Metropolitan Museum of Art and received a Grammy Award for Best Chamber Music Performance. In 2017, the Pacifica Quartet was appointed to lead the Center for Advanced Quartet Studies at the Aspen Music Festival and School. 

Formed in 1994, the Pacifica Quartet quickly won chamber music’s top competitions, including the 1998 Naumburg Chamber Music Award. In 2002 the ensemble was honored with Chamber Music America’s Cleveland Quartet Award and the appointment to Lincoln Center’s The Bowers Program (formerly CMS Two), and in 2006 was awarded a prestigious Avery Fisher Career Grant. With its powerful energy and captivating, cohesive sound, the Pacifica has established itself as the embodiment of the senior American quartet sound.  


Photo by Lisa-Marie Maz

The Pacifica Quartet has proven itself the preeminent interpreter of string quartet cycles, harnessing the group’s singular focus and incredible stamina to portray each composer’s evolution, often over the course of just a few days. Having given highly acclaimed performances of the complete Carter cycle in San Francisco, New York, Chicago, and Houston; the Mendelssohn cycle in Napa, Australia, New York, and Pittsburgh; and the Beethoven cycle in New York, Denver, St. Paul, Chicago, Napa, and Tokyo (in an unprecedented presentation of five concerts in three days at Suntory Hall), the Quartet presented the monumental Shostakovich cycle in Chicago, New York, Montreal and at London’s Wigmore Hall. The Quartet has been widely praised for these cycles, with critics calling the concerts “brilliant,” “astonishing,” “gripping,” and “breathtaking.” Recent season highlights include defining performances at Shriver Hall with Marc-André Hamelin and for the Montreal International String Quartet Academy, as well as appearances on North America’s major chamber-music series, including concerts in Charlottesville, Chicago, Dallas, Detroit, Kansas City, and Vancouver.


An ardent advocate of contemporary music, the Pacifica Quartet commissions and performs many new works including those by Keeril Makan, Julia Wolfe, and Shulamit Ran, the latter in partnership with the Music Accord consortium, London’s Wigmore Hall, and Tokyo’s Suntory Hall. The work – entitled Glitter, Doom, Shards, Memory – had its New York debut as part of the Chamber Music Society at Lincoln Center series. 

In 2008 the Quartet released its Grammy Award-winning recording of Carter’s quartets Nos. 1 and 5 on the Naxos label; the 2009 release of quartets Nos. 2, 3, and 4 completed the two-CD set. Cedille Records released the group’s four-CD recording of the entire Shostakovich cycle, paired with other contemporary Soviet works, to rave reviews: “The playing is nothing short of phenomenal.” (Daily Telegraph, London) Other recent recording projects include Leo Ornstein’s rarely-heard piano quintet with Marc-André Hamelin with an accompanying tour, the Brahms piano quintet with the legendary pianist Menahem Pressler, and the Brahms and Mozart clarinet quintets with the New York Philharmonic’s principal clarinetist, Anthony McGill.  

The members of the Pacifica Quartet live in Bloomington, IN, where they serve as quartet-in-residence and full-time faculty members at Indiana University’s Jacobs School of Music. Prior to their appointment, the Quartet was on the faculty of the University of Illinois at Champaign-Urbana from 2003 to 2012, and also served as resident performing artist at the University of Chicago for seventeen years. 


American violinist Madalyn Parnas Möller is an active soloist, recitalist, chamber musician, and educator residing in Los Angeles. Enthusiastically endorsed by the New York Times, Ms. Parnas Möller has concertized worldwide, most recently appearing as guest soloist with the London Philharmonic Orchestra.  Alongside her sister, cellist Cicely Parnas, Duo Parnas was nominated for a Grammy Award in 2015, having released three albums on the Sheffield Lab label that feature both pre-existing works and commissions by award-winning composers of the 21st century.  Her current solo recording project with Aqua, an Argentinian/Latin American label, was recently distributed by Naxos in Summer 2020.  Ms. Parnas Möller holds a M.M. and Artist Diploma from the Indiana University Jacobs School of Music, a M.A. from London’s Royal Academy of Music, and a B.S. from The College of Saint Rose where she graduated summa cum laude.  A 2012 Marshall Scholar, Ms. Parnas Möller was awarded the Josef Gingold Award and twice the Artistic Excellence Award at Indiana University. Her principal teachers include her grandfather, cellist Leslie Parnas, Mark Kaplan, György Pauk, Jaime Laredo, James Buswell, and Betty-Jean Hagen. Ms. Parnas Möller resides in Los Angeles and performs on a 1715 Alessandro Gagliano violin.

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Photo by Dario Acosta Photography


Known for his “ability to engage deeply with any audience” (Herald Times) and his “warm, refined, and mature voice” (NUVO), baritone Bruno Sandes earned his bachelor’s and master’s degrees from the Jacobs School of Music and is currently pursuing his doctorate in Voice under the tutelage of Carol Vaness. With a long concert and art song repertoire, Sandes has also sung a vast and diverse number of roles, including Figaro in The Barber of Seville, Giorgio Germont in La Traviata, Belcore in L’Elisir d’Amore, Don Giovanni in Don Giovanni, Sergeant Sulpice in La Fille du Regiment, Ali Hakim in Oklahoma!, Doctor Falke in Die Fledermaus, Emile de Becque in South Pacific, Taddeo in L’Italiana in Algieri, Le Surintendant des Plaisirs in Cendrillon, and Sùng Ông in the world premiere of P. Q. Phan’s The Tale of Lady Thi Kính. Sandes has been seen on stages and theaters in the United States, Europe and South America. He received many awards, including a Joshi International Fellowship from the Georgina Joshi Foundation, first place in the XI Maracanto International Voice Competition, a winner of the 2013 Indianapolis Matinee Musicale Competition, semifinalist in the IX Maria Callas International Voice Competition and selected as one of six singers from around the world in the 42nd International Winter Festival of Campos do Jordão. He was chosen as the grand winner of the 2014 IU Latin American Music Center Recording Competition and was a semifinalist of the 2018 Liszt International Competition. He currently serves as an Associate Instructor of Voice at Indiana University’s Jacobs School of Music and is the assistant director of Carol Vaness’s Graduate Opera Workshop.


Photo by Synthia Steiman


Now in their ​5th Season, Volante Winds has reached high acclaim in the field of chamber music for their "​beautiful sound"​ , "​perfect ensemble​", and "​excellent, mature poise​." The quintet has performed in competitions and festivals throughout the world, with recent residencies at the American Music Festival in North Carolina, Juneau Jazz and Classics Festival in Alaska, and the Jeju International Wind Ensemble Festival in South Korea.

As professional music educators, Volante Winds has a strong passion for pedagogy that shines through in their recitals and masterclasses. Through their tours and outreach initiatives, the quintet has connected with diverse audiences and music students across the country with inspiring and interactive educational performances.

Volante Winds firmly believes in actively engaging within the community and has worked with local artists, the Jacobs School of Music, and the IU Center for Rural Engagement through multiple innovative collaborations. Most recently, the ensemble has appeared with Indiana University's New Music Ensemble, the Windfall Dancers in live performance of combined dance and chamber music for their 40th Anniversary Gala, and as guest artists of the Salón Latino Chamber Music Series, performing the U.S. premiere of the Marcos Lucas wind quintet, ​O Palácio dos Lentos​.

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ROMAN IVANOVITCH – Associate Professor of Music

Roman Ivanovitch is associate professor of music theory at the Indiana University Jacobs School of Music, where he has taught since 2004. He received his doctorate from Yale University in the same year.

His general research concerns issues of form, style, and aesthetics in the long eighteenth century, particularly with respect to Classical-era variation and sonata form. His principal focus is the music of Mozart, on which he has published articles in Music Theory Spectrum, Journal of Music Theory, and Music Analysis. In 2012, he won the Marjorie Weston Emerson Award from the Mozart Society of America for his essay on Mozart’s retransitions.

Ongoing larger publication projects include a monograph on craftsmanship and style in Mozart’s music. A lapsed guitarist, Ivanovitch also has a secondary interest—which awaits full research reactivation—in guitar-based blues, especially in the area of improvisation.